Anne Murray is a soft-spoken lady that came from a small town in Nova Scotia, and she also ended up being a musical superstar who kicked down doors to allow Canadian females to achieve huge success on the international stage, including paving the way for the massive careers of Shania Twain and Celine Dion. While going to university, she auditioned for a small Canadian singing series called “Singing Jubilee”, eventually getting a part on it. She struck up a friendship with the show’s musical director, who convinced her to record a solo album at an independent record label in Toronto. That album did well for an independent release, and caught the attention of Capital Records. After Anne signed with them, they released the song “Snowbird” as a single. It not only became a major success in Canada, but it ended up becoming a surprise hit in the U.S. as well (hitting the top ten on at least 4 different U.S. charts), as well as being a hit in the United Kingdom and New Zealand. That surprise hit song would eventually turn into an over 20 year career of hits on the country and pop charts and selling millions of records in the process. She retired from the entire entertainment world in 2008 and has made very few appearances since that point, but that does not diminish her legacy as a legendary award-winning superstar who took the world by storm.

Now John Denver is an interesting case. Starting out his musical journey in the folk-pop realm (similar to a group like Peter, Paul & Mary), he joined the Mitchell Trio in 1965 and then went solo four years later. During these first few solo years, he was recording folk songs that were becoming massive pop hits like “Take Me Home, Country Roads” and “Rocky Mountain High”. Those songs were lighting up the pop charts and selling millions, but they were doing nothing in the country realm. It would not be until years later (after Denver’s success in country music) that a song like “Take Me Home, Country Roads” would go on to be considered a classic of the country music genre. Then, by 1974, the Nashville industry seemed to think that John’s music suited the genre now and he began to get hits on the country charts. But not only had he been opened up to hits on the country charts, but he was also welcomed into the entire country scene receiving ACM awards and CMA awards (including the CMAs giving him ‘Entertainer Of The Year’). There was, of course, backlash among some in the genre that there would be a pop star getting country hits (look up the John Denver/Charlie Rich CMA issue), but as years have passed he is very much seen as a country-pop singer now. Then, after all of this, John’s success on all charts was fading by the end of the 1970’s. He got a couple more hits in the 80’s, but that would be it for chart-toppers. Nowadays, as his name has been brought up in consideration for induction, that John would be honoured but not 100% satisfied being added to the Hall Of Fame because he considered himself more of a folk artist than a country one. That is a fair point, but being one of the biggest singers of his era, selling millions of records, getting a number of hits, and singing country music classics should mean that he deserves a spot in the Country Music Hall Of Fame either way.