Knuckles wrote:In regards to fusion, one need only look at who his sidemen were on those projects. So many major careers came out of those recordings. They were game changers, which Davis had so many times in his career dating back to 1949 and Birth of the Cool. With his fusion records it was a matter of him doing it again. Not bad for the Juilliard-trained son of an East St.Louis dentist
That's pretty cool about "meeting" Miles. Regarding all the musicians who played on
In a Silent Way and
Bitches Brew, that's exactly the point I've made elsewhere on this site. I don't want to beat this poor horse to death, but it bears repeating: Those musicians, who went on to form the various '70s fusion bands (Mahavishnu Orchestra, Return to Forever, Headhunters, Lifetime), brought an unmistakable rock-funk sensibility to their sounds. This again is the influence of rock on jazz. Notice that I didn't list Weather Report. That's because I think it bore the lightest rock imprint of them all; it never employed a regular guitarist, for example. The two leading lights in Weather Report, Joe Zawinul and Wayne Shorter, were already established jazzers by the time they hooked up with Miles. They kept that straight-ahead mentality for the first couple of albums, although by
Sweetnighter they were getting pretty funky ["125th Street Congress," "Boogie Woogie Waltz"], an approach reinforced by subsequent bassists Alfonzo Johnson and Jaco Pastorius. But, again, the point is that jazz took a major turn into rock, an indication of how rock has become the dominant musical influence.So, yeah, not bad for Miles. And you're right: Unlike many blues and jazz artists of Davis's generation, he actually had a middle-class upbringing and not the hardscrabble life typical of sharecroppers' or laborers' sons who chose music as a way off the farm or out of the ghetto. Davis was also married to film actress Cicely Tyson (
Sounder).It occurred to me that in all this discussion about jazzers, what influence they had--if any--and whether they belong in the RRHoF, I haven't seen the name
Mose Allison mentioned anywhere. I don't think that Allison, who probably wouldn't get into a jazz HoF, let alone the rock one, is much remembered these days (although I believe he's not only still alive but still performing). But Allison, whose music, a blending of piano/vocal jazz and R&B, is delightful (with a line like "Your mind is on vacation and your mouth is working overtime," how could it not be?), is also an influence on British '60s musicians such as Pete Townshend and John Mayall. The Who famously--and ferociously--covered Allison's "Young Man's Blues" on
Live at Leeds, while Mayall covered Allison's "Parchman Farm," which Blue Cheer(!) also picked up on. Later, bassist Jack Bruce (Cream) worked with Allison.